Music and Acoustics · chords

Guitar Chords

Every shape worked out from the tuning itself — so capos and alternate tunings just work.
generated, not tabulated
Standard
Region Global. Twelve-tone equal temperament and standard instrument tunings, which are international.

The chord

C
The note the chord is built on and named after. C major, F♯ minor.
The seven chords of this key. Nearly every song in C is built from these, which is why they are worth learning together.

Rhythm

88 BPM
1&2&3&4&
Click a slot to cycle it: rest → down → up → muted. The numbers are the beats and the ampersands the off-beats, which is how a pattern is counted out loud.
This is the spacing between strums, which is a different thing from how fast the pick crosses the strings — that is the sweep control below. At 88 BPM an eighth-note slot is 341 ms apart.

Sequence

empty
Add the chord you are looking at, then the next one. Press play and the neck diagram follows the sequence — the shape you need next appears while the one before it is still sounding, which is the whole difficulty of changing chords.

The instrument

Fret numbers below are counted from the capo, which is how you actually play them. The chord you hear is the one you asked for; the shape your hand makes is the one shown, and the note under the shape names it.
Left is all six at once, which is a chord rather than a strum. Right is one string per second — slow enough to watch each string start moving and name the note before the next one arrives.

The shape

—
Cmajor
root note other chord tones capo the shaded box is where your hand sits thick strings at the bottom — that is the low E
The shape on its own
Other places to play it
Detail
How it works

Nothing here is looked up

Searched, not looked up

There is no chord dictionary. For every position on the neck the search finds the fret combinations that sound only the chord’s notes, put the root in the bass, and a hand can reach.

A barre presses everything

A finger across a fret stops every string it spans, so a shape wanting an open string underneath the barre is not awkward, it is impossible.

A capo is a new instrument

It raises every open string by the same amount, so shapes stay in your hand and sounds move. Fret numbers are counted from the capo.

Tunings are six numbers

Change the tuning and the search simply runs against a different set of six numbers. Nothing was rewritten for DADGAD.

Worked example. Given only pitch classes and hand geometry, the search produces x32010 for C, 320003 for G, xx0232 for D and 022100 for E: fifteen of fifteen standard shapes, each ranked first. On a soprano ukulele the same rule gives 0003, 0232 and 2220 for C, G and D, and 2000 for A minor, not the x000 that no player has ever used.
Field notes

Why the shapes are what they are

Which end is which

The neck runs headstock on the left, body on the right, with the thick low string along the bottom: the same way round as tablature, and as a guitar lying on a table facing you. Frets crowd together as they climb because each sits at the point that shortens the string by one more twelfth-root-of-two.

3 notes

A chord is a set of notes, not a shape

C major is C, E and G in any order, any octave, on any instrument. Which finger, which fret, which string is a consequence of the tuning, and changes the moment the tuning does. That is why this page searches instead of storing.

Only part of the string moves

Press a string at the fifth fret and the length behind your finger is dead, clamped against the fret. The part that vibrates runs from your finger to the bridge, and it is shorter, which is the whole reason the note is higher. The animation shows where the moving part starts.

The two bugs the test found

The generator first preferred 103211 to the F barre chord, because it needs one finger fewer and leaves the A string open. But a barre presses every string it spans, so that open A cannot exist: modelling the barre as a physical object, not a discount on the finger count, fixed it. The ukulele caught a second assumption: skipping the bottom strings is free on a guitar and false on a soprano ukulele, whose G string is its second highest. Stated properly, a muted string is free only when it sits below everything you are playing. A rule that fixes one instrument without disturbing the other is usually the real rule.

Open tunings trade freedom for ease

Tune to open G and one finger across a fret gives a major chord anywhere on the neck. The price is everything else: minor chords, sevenths and anything chromatic become awkward, and in some tunings a chord has no comfortable voicing at all. The search shows that plainly.

Questions

What people ask

Why do the alternatives matter?

Because the easiest shape is rarely the right one. A chord played at the fifth fret has a different weight to the same chord at the nut, the fingering that follows from the chord before it saves a scramble, and some voicings leave a finger free for a melody note. The list is ordered by how easy the shape is, not by how good it sounds.

How does the capo work here?

A capo raises every open string by the number of frets it sits at, which is the same as playing a different instrument. Set one and the shapes are recomputed against that instrument, with the fret numbers counted from the capo — so the shape shown is the shape your hand makes. That is why a guitarist with a capo at 3 plays a "D shape" and everyone hears an F.

Why does the same chord look different in DADGAD?

Because the strings are different notes, so every shape that produced those pitches has moved. Nothing was rewritten for DADGAD — the search simply ran against a different set of six numbers, which is the whole reason for generating shapes rather than storing them.

What does the slow strum do?

It separates the strings in time, up to a full second apart. At that speed you can hear each note arrive and place it against the diagram, which is how you learn to tell whether a chord is ringing properly or whether one string is buzzing, muted by a finger, or out of tune. At the other end of the slider everything sounds at once, which is a chord rather than a strum.

Is the sound a real guitar?

No. Each string is a Karplus–Strong pluck — a burst of noise fed round a delay line the length of one period, which is a startlingly good imitation of a plucked string for four lines of code, and audibly not a recording. It is there to let you check which notes you have, not to sound pretty.

Shapes are generated, so they are complete rather than curated. Anything the search can reach is offered, including voicings nobody has named. Playability is scored by a simple model of one hand — four fingers, a four-fret span, and a barre that presses everything it crosses — so a shape that looks awkward may suit your hand, and one that scores well may not.
Version history · 2 releases
  1. v4.662026-09-07The chord page had two diagrams pointing different ways and labelled neither — so it now draws the instrument
  2. v4.742026-09-08The chord page’s toggles looked locked because the highlight never moved. Plus strumming patterns, a chord sequencer, and the shape at the top

Releases in which this page changed, newest last. Derived from the archived copy of every release, not from notes written afterwards — so it reflects what actually shipped. Site-wide passes are left out; they are in the full changelog.

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